A fresco on the wall is ancient art in a modern interior. Do-it-yourself fresco - master class Do-it-yourself fresco from photo wallpaper

As we all know very well, in order to make the design of your house or apartment refined and radiating positivity, it is not enough to just hang the same type of wallpaper or paint the walls and ceilings in one or two colors.

For this there are many decorative techniques, which will help you make your interior design intricate and add a variety of colors and shades to it.

Thus, we considered it important to tell you about one of the decor options - old-style fresco painting, as well as a new type of fresco, about which it would be appropriate to say “the new is the well-forgotten old,” and we’ll figure out why.

Old style fresco painting technology

The fact is that fresco as a form of art has not been used in decoration in its classical form for a very long time; instead, so-called “decorative plasters” have become fashionable.

Their advantage was that they did not require special qualifications of craftsmen and high costs time.

This is due to the complexity of its execution, starting from preparation and ending with the final stages of painting.

We can highlight this list of painting stages:

• surface preparation;
• transferring the contours of the design to the surface;
• preparation of paint compositions;
• coloring (“cutting”) areas of the picture and background;
• detailed painting (painting of small details, shadows, highlights).

An important point among all this is that at all stages of painting the surface must be damp, that is, the surface of the plaster is not allowed to dry, protecting it from drying by the sun, draft, etc., curtain it with damp burlap after the end of the working day. So, let's talk further about how to paint a fresco, and more specifically, how to paint a fresco on the wall.

Surface preparation for fresco painting of the old style is to use limestone plaster mortar level the walls and smooth them almost to perfection (high-quality plaster with plane deviations of up to 2 mm/2 m). After leveling the walls, they are smoothed using sifted lime milk, which is called sandless plaster coating.

Transferring the contours of the design to the surface performed using the so-called “cardboard” or fresco card.

To produce it, the original drawing is taken in full size(usually consisting of many sheets, since the drawing is large), and the main contours are transferred to carbon paper, after which punctures are made along these contours with an awl.

The finished canvas with pierced contours is leaned against the surface, and by pressing with a cotton swab with coal dust, the contours are interrupted along the pierced holes.

Preparation of paint compositions happens in advance, before painting the frescoes. To do this, an alfresher (a master of fresco painting) takes the original in color and rubs certain pigments on water, obtaining a different, required tonality/color of paint.

The finished mixtures are poured into sealed containers, designating each main color with a number; the number is also affixed to sections of the contours.

The pigments themselves are natural/artificial alkali-resistant compounds, and they are rubbed exclusively in water, sifted through a sieve No. 0.071 and 0.06 with 6400 and 10000 holes/cm2, respectively, in a ratio of 1:3.

Cutting sections of the drawing - This is the first stage of painting, which involves painting with primary colors the areas marked with contours on the surface.

To do this, take paint and paint with soft brushes (so as not to damage the wet plaster), first the largest areas, then the smaller ones in descending order.

The important thing in this process is that the started area must be painted at once, excluding breaks; in addition, the work needs to be done in an orderly manner and in stripes if the areas are very large (to prevent overlaps as a result of the paint setting).

Detailed painting of areas performed over cutting; its essence is the application of small details, highlights, shadows, textures, etc.

Again, soft brushes (squirrel or kolinsky) are used for this purpose. As with cutting, each element must be applied without interruption; the work is such that the possibility of correction is excluded, so you need to work carefully and impeccably.

As for shadows and highlights, in fresco painting there are 3-4 tones of each, that is, the shadow can be deep, medium and shallow. The same is true with lighting effects; there are several tonalities of lightening.

There is another type of fresco - "fresco a secco" , the essence of which is painting on dry plaster (from Italian Secco - dry) with the same pigments rubbed on water mixed with milk of lime.

The technology is almost the same, however, after the plaster has dried, it is moistened with water and primed with grade 1 lime-lime mixture (MgO2 no more than 3%) – 1; water – 9. The primer is again moistened with water before painting.

The only advantage of this type of fresco is that it is possible to make adjustments and other corrections; for this, the corresponding area is moistened, a primer is applied and painted again. It is worth noting that such a fresco has duller, bleached colors (due to the presence of lime in the paints), and is also less durable than a raw fresco.

New fresco painting technology

The types of frescoes of the new sample are completely different from the classic frescoes and have absolutely nothing in common (except for the final decorative result in the interior).

In addition, there are only two varieties of classical fresco (wet “fresco” and dry “fresco a secco”), and then only on one plaster base, while modern ones there are as many as five, which are fundamentally different from each other in composition.

The list of modern frescoes is as follows:

• frescoes on plaster;
• frescoes on canvas;
• frescoes on non-woven fabric;
• frescoes on a rigid base;
• frescoes on a self-adhesive basis.

It is worth noting that these types of frescoes (with the exception of frescoes on canvas) do not seem realistic to perform independently, manually, without the use of special high-tech devices. They are not made in the same way as classic frescoes are made, they are finished products, and the entire technology for their implementation comes down to installation with an adhesive composition on a certain area of ​​the surface, after ordering and delivering them to the installation site.

, or rather, frescoes on Italian plaster - this is the modern embodiment of classical fresco, the newest, well-forgotten old.

By combining new technologies and the basic principle of classical fresco (painting on plaster), we were able to make a piece product, which is a layer of durable, bend-resistant plaster, with a pattern applied to it, using the modern printing. Does not deteriorate from water, sun and is easy to clean; durable.

are the only ones that perform within their means manual labor. The materials for their implementation are natural, such as river sand, lime, cotton canvas, natural glues and pigments for paints.

The drawing is made on a layer of special plaster; after drying, the fresco is transferred to a specially prepared canvas. Unlike the previous one, this fresco does not tolerate moisture, however, it is possible to open it with wax, which will improve its resistance to external influences.

are performed by applying a thin layer of special modern plaster onto a non-woven fabric, after which a design is applied using modern printing equipment (special printer).

These frescoes are used mainly to decorate large areas, since the non-woven base fits perfectly together, which allows you to quickly and easily draw a pattern from many of its parts placed on the canvases.

are very diverse; a wide variety of materials that have good rigidity and, preferably, lightness can be chosen as the basis.

A layer of plaster is applied to such a base, and painting is done on it. different ways. Paints are taken to water based and environmentally friendly. As a rule, the dimensions of a fresco on a rigid base do not exceed 1.4 x 3 m, and are performed on one single layer.

Frescoes on a self-adhesive basis are made using special materials that are not similar to those used to produce other types of frescoes.

The point is that on self-adhesive backing a special paste is applied, which consists of fine sand and a special binder.

After it hardens, a surface similar to plaster is obtained, onto which the design is applied using digital printing. It is clear that such a fresco does not require an adhesive composition for its installation, you just need to remove protective film from the inside out and glue it like a self-adhesive film.

Actually, the list of existing varieties of frescoes is complete, and now you also know how to make frescoes on the wall, we can only add that a modern fresco is an expensive idea, a classic fresco is a cheap idea if you do the fresco with your own hands, but it is labor-intensive. Don't get hung up on just one fresco; there are plenty of other options to spice up your interior with an intricate touch. wall painting, for example, or hand painted water-based paints, the implementation technology of which can also be found in this section.

A do-it-yourself fresco on the wall allows you to update the interior and gives an empty wall in the room original look, at the same time, it evokes surprise and admiration of the visiting guests. Painting frescoes is the application of any image onto wet plaster. From the article you will learn what a wall fresco is and how to apply it correctly to the surface.

What are wall murals? This is a type of room decoration available to many owners. ordinary apartments who want to add exclusivity to the interior by showing their Creative skills, doing everything with your own hands.

In addition, the production of frescoes on walls has such positive sides, How:

• Freedom of creativity. In this case there is no need long time to look around the shops for something original, beautiful and at the same time stylish that would not only be to your liking, but also affordable. All you need is to decide on your capabilities and choose a plot.
• Any image created by yourself- already exclusive - no one else has it in this version.
• When decorating only one of the walls, leaving the rest as is, you can apply the frescoes yourself, adapting to the existing interior style, as can be seen in the photo.

Frescoes in the interior are a fairly affordable pleasure.

The painting on the wall can be:

• Classic. This is a wall painting applied to wet plaster. Peculiarity traditional painting– its complexity of implementation. All work must be completed in a maximum of 24 hours, but there is no opportunity to correct anything. The price of this technology for applying frescoes is the highest of all available, the most labor-intensive, which does not allow any owner of his home to do it himself.

• On canvas. This image combines natural materials and artist's skill. The drawing is applied to the canvas manually on top of a special composition. The paints are natural pigments. To make the fresco more realistic, it is artificially aged. After covering the canvas with wax, such a decorative element can last a long time.

• On a self-adhesive basis. They can be compared to photo wallpaper (see Photo murals: how to choose the right one) or textured wallpaper. The basis of this decorative element is a thin layer of plaster made from a special paste made of river sand, which is applied to a self-adhesive base that is fixed to the wall without any additional materials or tools. The thin thickness of the coating does not mask defects on the wall.

Tip: To apply self-adhesive, additional surface preparation must be performed.

Lack of coverage - there is no way to do it additional processing, for example, to create an aging effect.

• On non-woven fabric. Such frescoes are widely used in decoration large areas. Externally, decorative elements of this type are practically no different from frescoes made on canvas, but the production method is based on modern technologies with complex technical techniques. The image itself is produced on a printer, where the paper is replaced by a base for non-woven wallpaper. The drawing can be from almost any picture or photograph. Effect complete picture is created in several fragments with joints invisible to the naked eye, subject to printing and installation technology.
• On a rigid basis. For the basis of the fresco can be used various coatings and materials: plastic, wood and even ceramics. With this base, you can imitate cracks and chips, which will give the product an aged effect. The only drawback of this method is the relatively large mass of elements, which significantly reduces the size of frescoes of this type.
• Small bedroom interior, small kitchen or small hallway, can harmoniously complement a small fresco, but it doesn’t look very appropriate when surrounded by a large unoccupied space in the room.
• The fresco, made on elastic plaster, is quite close in appearance to the classical one. But unlike it, elastic plaster does not dry out so quickly, which allows the master to do the work more carefully. Due to the manual application of the image on the wall, the price of this method of decorating a room is quite high.

A wall mural is a long-used option for decorating a room. It is one of the most striking accessories in the room and attracts the attention of guests. The fresco is aged in a special way so that it looks like in ancient times.

There are several types of frescoes:

1. On non-woven wallpaper. Such frescoes are very popular. They are applied to a non-woven base using special plaster. Their cost is significantly less than that of self-adhesive frescoes. They consist of several elements. After gluing, the joints between the images will not be visible, but they should be glued very carefully: the slightest mistake will lead to the fact that the parts of the picture will not match.
2. Self-adhesive. This look can be compared to textured wallpaper. The design is applied to the adhesive base using a specially made paste. Thanks to this paste, the texture of the design lies evenly. Then using digital equipment apply the image. Glue ready product follows on flat surface, otherwise all bulges and defects will be reflected in the image. Unfortunately, it will not be possible to age such a picture.
3. On canvas. An image made from natural ingredients is applied to a specially prepared canvas base. Draw small parts images, as well as decorative damage. This gives the fresco a natural look. Glue the canvas onto regular glue. The disadvantage of this type is that it cannot be washed.
4. Decoration applied to a hard surface. Such images look the same as on self-adhesive paper, but, unfortunately, they weigh a lot. That is why they are most often made in small sizes.
5. Self-made fresco.

Making decorations from scratch with your own hands

Even in the old days, decorations were made by painting on wet plaster. Such work must be carried out quickly enough so that the drawing does not have time to freeze. Approximate time – up to 10 hours. Errors are unacceptable because nothing can be corrected. This method is very complicated and requires skills and certain training, so only professionals use it.

To paint a mural yourself, you must have certain creative abilities.

Before starting any work, it is necessary to carefully prepare the surface for pasting - clean it of previous coatings. After this, the surface must be leveled by plastering.

Purchasing materials is an important component of the work. You need to buy the plaster that contains binding materials, cement and sand. You should buy it because it will not spread over the wall, which will make the work much easier.

Before applying plaster, the surface must be treated with a primer. If the background of the image is colored, then it is added to the primer desired color. It is advisable that after all preparatory work the wall was completely smooth.

After the surface has dried, you can begin the creative part of the work.

In order for the drawing to fit well and look beautiful, you should use acrylic paints water based. You will need two brushes made from natural material and having hard fibers, and one artificial.

Having prepared everything, you can draw a sketch of the future painting. Before applying it to the wall, it is painted over with a wide lead with reverse side. Then it is pressed tightly to the surface so that the details of the design are well imprinted. After the drawing is displayed on the wall, its details should be scratched a little. This is done so that parts of the image do not disappear under a layer of paint.

Now the prepared wall needs to be moistened and the background applied. After completely dry surface, you can begin to draw the details of the design with paints.

After the drawing has dried a little, it should be treated with wax or varnish. This is necessary so that the image does not crack or become damaged over time.

Fresco in the interior (video)

Using blanks

A digital mural (self-adhesive) is well suited for those people who have not previously decorated walls. When making it, a design is applied to a self-adhesive base, and then it is transferred to the wet plaster.

Before gluing a fresco to a wall, you should determine its properties. It can be either elastic or applied to a hard surface.

The elasticity of the base allows the fresco to adapt to all the curves of the wall. Due to its small thickness, it can be any size.

Frescoes on a wall with a hard surface are different small in size. They cannot be used on walls with curves.

The basis should be chosen taking into account your preferences in advance. You can use a fresco as a painting. Pre-made decoration can be pasted on the wall as regular wallpaper.

The sequence and rules for gluing the finished fresco on the wall:

1. The wall surface must be cleaned and leveled.
2. The wall color should be light.
3. It is necessary to measure the dimensions of the wall.
4. Glue thin layer applied both to the workpiece and to the wall. The glue causes the decoration to become thinner, and if used carelessly it can easily be damaged.
5. The decoration is placed tightly against the wall and they begin to be rolled in with a roller, making sure that all the joints of the image match.
6. While drying, the windows in the room must be closed.

During drying, the fresco will smooth out on the wall.

Wall painting (video)

Stencils

Stencils are the easiest wall design option for beginners. Even without creative skills, you can create a real masterpiece. Materials that will be required to make a fresco: a special stencil, watercolor paints, a sponge, a surface on which the paints will be mixed, special glue. The floor must be covered with a special coating before starting work.

Wall frescoes – great option room decoration.

Master class on learning various drawing techniques

Master class is designed for teachers additional education, teachers visual arts, people who are not indifferent to creativity.

Appointment of the master class:

A) teachers to study with children various techniques drawing on unusual surfaces;

B) can be used in interior design as walls and paintings of any format.

Summary of the master class “Imitation of frescoes”

Theme: "Drawing a butterfly."

Target: to introduce teachers and educators to the technique of painting on a non-traditional surface and the method of creating an imitation of a fresco.

Tasks:

To introduce teachers to the type of monumental painting - fresco.

To teach the peculiarities of making a fresco and painting on an unusual surface.

Develop imagination, imagination, interest in creative activities.

To cultivate an aesthetic and moral attitude towards nature through the depiction of its image in one’s own creativity.

Materials and tools: sketch of a drawing, board for a fresco (hardboard, ceiling tiles, drywall, wall - choice of surface as desired), putty (preferably ready-made), PVA glue, paints (gouache), spatula (small rubber), bag of charcoal, awl, sandpaper, art brushes, construction brush, sponge, hair dryer, breadboard knife

Progress of the master class:

This is true! Well, what is there to hide?

Children love, love to draw!

On paper, on asphalt, on the wall

And on the tram on the window...

Children really like everything unusual. I want to introduce you to the technique of painting on an unusual surface - today we will paint on putty. Drawing on plaster has long been known and comes to us from time immemorial and is called FRESCO.

Historical reference: Fresco - (from Italian fresco - fresh, raw), a type of monumental painting. Paints are applied directly to the surface of the wall, ceiling, vault. The area occupied by the fresco and its composition depend on the architectural forms of the building. Usually interiors are decorated with frescoes; on building facades where they may be exposed harmful effects moisture, they are placed much less frequently. Fresco includes several techniques: painting with water paints both on wet plaster (al fresco) and on dry plaster (a secco); painting with lime-casein and tempera paints.

Fresco was already common in Aegean art (2nd millennium BC); it achieved great growth in ancient times artistic culture, where multi-layer polished primers with the addition of marble dust were used. From the first centuries of our era, paintings close to frescoes were created among the peoples of the East (in India, Central Asia, etc.). Ancient masters finished the fresco dry using tempera. This technique was also typical for medieval frescoes, which were developed in the art of Byzantium, Ancient Rus', Georgia, Serbia, Bulgaria, Italy, France, Germany and other European countries. The art of fresco experienced a new flourishing in creativity Italian masters Renaissance (Giotto, Masaccio, Piero della Francesca, Raphael, Michelangelo, etc.). From the 16th century in Italy, “pure” fresco (“buon fresco”) without the use of tempera spread; upper layer The primer (intonaco) in this type of fresco was applied only to the area that the painter expected to finish before it dried. The tradition of frescoes later lived on decorative paintings XVII-XVIII centuries In the 19th century The fresco was approached by the Nazarenes in Germany, as well as individual representatives of “modernism” (F. Hodler in Switzerland and others). Many progressive artists of the 20th century work in the fresco technique. (A. Borgonzoni in Italy, D. Rivera in Mexico, etc.).

In the USSR, a significant contribution to the popularization of frescoes was made by V. A. Favorsky, L. A. Bruni, N. M. Chernyshev and others.

Rice. Michelangelo Delphic Sibyl (fresco fragment).

The process of making an imitation fresco

On a large scale, a fresco requires a very large multi-stage preparation of the surface, and the process itself also requires knowledge not only as an artist, but also as an architect, sculptor, builder, etc. There is a lot of information on the Internet about frescoes, about production both on an industrial scale and for creative people who are simply interested in decoupage, for example.

I systematized the material and adapted it to school age. I really like giving children something unusual, because it captivates them, develops their imagination, imagination! The process of making a fresco is not complicated, even children can handle it preschool age(subject to compliance with safety regulations). Therefore, I offer you this technique and I hope that it will bring you pleasure, and you, in turn, will infect your students with this pleasure.

So: Imitation of fresco (on dry plaster)

We will need materials and tools: a sketch of a drawing, a board, putty, PVA glue, paints (gouache), a spatula, a bag of charcoal, an awl, sandpaper, art brushes, a construction brush, a sponge, a hair dryer, a breadboard knife.

And, of course, if this work is carried out with children (depending on age), you need to talk about safety precautions when using sharp and cutting tools, about the purpose of the putty (instructions for use). If you think that the use of any tool is dangerous for the child, then it is better to show or use the dangerous tool personally by the teacher.

The first stage is surface preparation - applying putty.

1. Surface preparation.

A) Apply putty to a wooden (any) surface (composition = dry putty mixture + background paint + pva + water) The consistency of thick sour cream. Any surface on which the putty is applied is suitable - we used both fiberboard and drywall. In my master class ceiling tiles are used. The putty should be applied in a very thin layer of no more than 4-5 mm and with random, frequent movements; no need to try to level the surface. The more unevenness there is, the more spectacular our fresco will look. You can use ready-made acrylic putty. Dry for 24 hours (see factory instructions for use).

B) When the putty dries, lightly sand sandpaper surface, not much, slightly along the protruding surface, where there are unevenness. Remove dust with a dry brush.

B) Cover with a thin layer of dry putty pva + water. Dilute glue with water approximately 1 part glue and 1 part water. Let the glue dry.

The second stage is the preparation and transfer of the drawing.

While the putty is drying, you can select a design and draw a life-size (according to the size of your board) sketch.

2. Preparing the drawing. Select a drawing. I chose a butterfly.

Why a butterfly?

For the ancient Greeks, the butterfly was a symbol of the immortality of the soul, and the names of ancient Greek gods and heroes are often found in the names of butterflies. Even the goddess Psyche was depicted as a girl with butterfly wings.

Butterflies are treated with special reverence in South-East Asia. It is believed that seeing a butterfly in your home is good luck.

In India, at weddings, lovers give each other butterflies as a sign of fidelity and love.

The expression “butterflies in the stomach” means boundless feelings for a loved one.

Thanks to butterflies, humanity received silk.

Buddhists treat butterflies with the deepest respect: after all, it was to the butterfly that Buddha addressed his sermon.

In Japan, the butterfly is the symbol of the country. According to Japanese beliefs, the butterfly symbolizes a young woman.

Christians have stages life cycle Butterflies represented life, death and resurrection, so a butterfly was sometimes depicted in the hand of the infant Christ as a symbol of the rebirth and resurrection of the soul.

Butterflies are popular subjects in modern culture. Their images are often used in advertising, decorative and design elements.

Butterflies appear as central images in a number of films.

The image of butterflies is found in the works of many artists, writers and poets from all over the world. The first artistic depictions of butterflies are known from ancient Egyptian frescoes, 3500 years old.

Question: What options for transferring a design to a product do you know?

Answer options

Draw or sketch yourself.

Symmetrical cutting of the butterfly outline.

Drawing a drawing using carbon paper.

I suggest this option for transferring a picture.

Preparation and transfer of the design to the plaster.

A) On the sketch, along the contour of the drawing, place points at equal distances with an awl.

B) Turn the picture over

B) From the inside out, lightly walk along the protruding points with sandpaper.

D - E) We apply the drawing to the plaster and go over it with a bag of charcoal (or pastel).

Coal (pastel) spills through the holes and a dotted pattern is obtained.

It is better to use pastel and not too much dark shades. The children found it very dirty to work with coal. An adult can still do it if done carefully.

In practice, we use carbon paper with children.

How to prepare a pouch?

1. crush coal (pastel) into dust

2. pour coal (pastel) dust onto a piece of gauze (the gauze is rolled up in 2-3 layers)

3. tie with thread, collecting gauze in the shape of a bag.

The third stage is the painting itself. The most interesting! Here you have room for imagination!

3. Painting the picture.

A) We follow the contour of the picture in black (optional).

B) We paint the drawing (background) with color - I used watercolors.

C) We paint the drawing itself - the butterfly; I used gouache (diluted with PVA).

The paint must dry (you can dry it with a hairdryer).

You can use paints: tempera, acrylic, watercolor, gouache. If gouache, then dilute it with PVA glue.

The fourth stage - the final one - is aging the surface. This stage may not be considered with children, but I will show you and tell you, and you can decide.

Very often, after the renovation is completed, empty, undecorated walls are left; a fresco on the wall will help decorate them.

This option for wall decoration has been used for a long time, and then, gradually losing its relevance, completely disappeared from use.

But now in modern version it is gaining more and more popularity. What is a fresco? This decorative design walls made on wet plaster.

Historical reference

In the old days, frescoes were used to decorate the walls of palaces and temples. Many famous artists and icon painters became famous for their works in this technique. Among them are Michelangelo, Raphael, Leonardo da Vinci, Diego Riviera, icon painter Andrei Rublev and painter Dionysius.

Famous fresco by Michelangelo

Through the centuries, the frescoes in the Sistine Chapel, the Assumption Cathedral, the Church of the Transfiguration and the Villa of the Mysteries fascinate and delight. IN modern interior frescoes are often used to decorate the walls of mansions and restaurants, and are used in homes, as well.

To give your space an exclusive and unique look many people prefer to use .

They can be individually custom made, selected from huge assortment offered on the building materials market, as well as those made by hand.

It is advisable to consider the main types of frescoes in the diagram.

Classic fresco

Classical

This fresco technique was used by ancient artists for, but in this moment due to its complexity in execution and very high cost almost never used.

On canvas. Complex technology, made by hand, is especially popular in Greece, Italy and Spain. The canvas is being processed special composition, painted with paints using natural pigments and then artificially aged. The fresco is covered protective equipment. Such products need constant care and repeated waxing, caring for them will require some effort. Perfect for creating an interior in style.

Self-adhesive

Glue the image only on a leveled base

In appearance they look more like textured wallpaper or. A layer of fine river sand is applied to the self-adhesive base, which imitates plaster. This fresco is easy to glue, but is quite thin and does not cover the unevenness of the walls. Before gluing, it is necessary to prepare and level the surface in advance. The advantages of this fresco are that you can choose the pattern and design yourself according to your wishes; any chosen image is printed by computer.

Non-woven

Frescoes on walls in the interior on a non-woven basis are often used for large areas. They are almost no different from the classic ones, thanks to complex production techniques and modern technologies. The surface of the fresco is treated with a special varnish, which significantly extends its service life. You can easily fix it on the wall with your own hands using glue for non-woven wallpaper. Due to the variety of its designs and the availability of various decorative elements, such a fresco looks great in any interior.

With flexible plaster

Natural dyes give flexible frescoes a resemblance to classical ones

This fresco is very popular today. It is similar in beauty and manufacturing technology to a classical fresco. Application in modern work elastic plaster, which dries longer than the classic one, allows the master to extend the time for work.

Natural-based dyes help achieve resemblance to a real fresco. If you know how to handle plaster and have artistic skills, you can make such a fresco with your own hands.

On a rigid basis

Rigid-based coatings can be given various effects

To make this fresco, a wooden, plastic or ceramic base is often used.

This base allows the master to use various techniques, make cracks and imitate various chips, and easily achieve the effect of aging.

The only drawback of this technique is that the weight of such a fresco is quite large, and therefore it is performed in small areas.

Benefits of fresco

Skillful application of finishes will create depth and volume.

Thanks to modern technologies and high-quality materials, the use of frescoes in the interior of apartments, houses, mansions, restaurants has become accessible in our time. A variety of designs and a huge selection of patterns allows you to choose a fresco in any style.

Such a decorative element will not only decorate the room, but can also visually expand it. Technologies for applying frescoes will help create the depth of the drawing itself. With the help of a fresco, a special mood of the room is created; an antique or antique look will create a cozy and romantic atmosphere, and frescoes with imitation stones will add confidence to the atmosphere.

This decor is absolutely safe, because only natural dyes are used in its production. It is distinguished by its high moisture resistance and resistance to exposure to sunlight.

Classic themes are often chosen for living rooms

Before you start making a fresco, there are a few things to consider:

1. When choosing a pattern, you need to take into account the style of the room.
2. The fresco for the bedroom should be harmonious and calming; you can use images of flowers, seascapes. The design can also be made from high-quality photos from vacation or travel.
3. To decorate a children's room, it is better to use images in a cartoon style. Fairy-tale landscapes and drawings with your favorite comic book and game characters are also suitable. To create a pleasant atmosphere for a child, it is best to choose simple and understandable motives.
4. Since the living room is the center of every home, frescoes in classical or modern style, the choice of which depends on the interior and decor of the room. The most important thing is to maintain harmony.
5. For the kitchen and bathroom the most important criterion When choosing a fresco, the main considerations are its practicality and resistance to moisture. It must also withstand sudden temperature changes. Review interesting options watch in this video:

Making a fresco with your own hands

It is better to entrust the work of painting a fresco to professionals.

If you have some artistic skills, you can make such decor at home yourself. A fresco on the wall is made with your own hands using various master classes and lessons that can be easily found on the Internet. If necessary, you can also seek the help of a professional artist.

To make a fresco in classic version necessary:

If the frescoes are already ready for use, then gluing them to the wall will not be difficult.

1. We prepare the walls, making them smooth and even.
2. Apply a layer of non-woven wallpaper glue to the fresco. After applying the glue it will become quite soft, so you should work carefully to avoid damage.
3. We press the fresco against the wall and go over it with a roller in order to remove bubbles and unevenness.
4. The main thing is to avoid drafts until the base is completely dry. Detailed description see the work in this video:

The dried coating is covered on top protective layer varnish

How to make a fresco on the wall using a stencil? For this purpose, the following sequence of actions must be followed:

1. Choose a suitable stencil design and paint.
2. To protect the floor, lay down newspapers, then place the stencil face down on it and spray it with a special can of stencil adhesive.
3. Carefully stick the stencil onto the wall.
4. Slowly apply the paint, trying to avoid drips. You can use a dish sponge; it will add relief to the design.
5. Wait for the paint to dry and remove the stencil from the wall. Correct the drawing if necessary.
6. Cover the fresco with a protective agent.

You can make a fresco with your own hands, the main thing is to be patient and stock up quality materials. The result of your work will delight you for many years, creating a special atmosphere and comfort in your home.